18324 Max Klinger Digital Art by Eloisa Mannion
Max Klinger. Max Klinger auf einer Photographie von Nicola Perscheid, 1915. Max Klinger (* 18. Februar 1857 in Leipzig; † 4. Juli 1920 in Großjena) war ein deutscher Bildhauer, Maler und Grafiker und auch Medailleur [1]. Sein Werk ist vornehmlich dem Symbolismus zuzuordnen.
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Max Klinger (18571920) Christie's
Max Klinger, (born February 18, 1857, Leipzig, Germany—died July 5, 1920, near Naumburg), German painter, sculptor, and engraver, whose art of symbol, fantasy, and dreamlike situations belonged to the growing late 19th-century awareness of the subtleties of the mind. Klinger's visionary art has been linked with that of Arnold Böcklin; the.
Max Klinger en el Metropolitan Museum de Nueva York
Born in the city of Leipzig in 1857, Max Klinger earned the title of the most prolific graphic artist of the 19th century. Educated in the Academies of Karlsruhe and Berlin, he gained public recognition in 1878 with a series of drawings titled Paraphrase on Finding a Glove.
Max Klinger The Art Institute of Chicago
Max Klinger's 'A Glove' series of prints is one of the earliest depictions of a dream in art history and would go on to influence twentieth-century art. "Klinger straddles inner worlds and reality, in a dialogue between an inside and an outside that is the motif of his creative genius. In his etchings the unconscious bursts into reality, taking.
Max Klinger (18571920) Kopfstudien, 3 Blätter Catawiki
Max Klinger was a German artist known for his Symbolist paintings, prints, and sculptures.Influenced by the work of Francisco Goya, Arnold Böcklin, and the Italian Renaissance, Klinger's art often focused on romantic yearning, eerie figures, and a sense of mystery, while his earliest work leaned towards the socio-critical.His series titled Paraphrase on the Finding of a Glove (1881) earned.
Biography of Max Klinger Widewalls
About the Work. "A kind of portrait with the atmosphere of a late evening", is what the German symbolist Max Klinger called this large-format painting, which was created on his studio roof terrace in Rome. Against the sky's vastness, the woman in profile appears irritatingly austere. On the one hand, figure and background harmonise well; on.
Max Klinger Portrait eines Jungen 1909 Portrait Sketches, Portrait
Max Klinger; The Isle of the Dead, 1890 Max Klinger; Night, from On Death Part I, 1888-89 Max Klinger;. Max Pechstein; Portrait of a Woman, n.d. Karl Koepping; Corinth's Son Rowing, palte three from Bei den Corinthern, 1919 Lovis Corinth; Italian Man, 1906 Emil Nolde; Bewegungsstudien, 1911
Max Klinger, a selection of prints
Self-portrait by Max Klinger, 1918, via The Art Institute of Chicago Max Klinger was born in Leipzig on 18th February 1857 to a well-to-do family and began to study drawing at a young age. He studied in Karlsruhe and at the the Royal Academy of Art in Berlin, where, he got acquainted with the works of Adolph Menzel, who became one of his early inspirations.
Max Klinger, a selection of prints
Max Klinger (18 February 1857 - 5 July 1920) was a German artist who produced significant work in painting, sculpture, prints and graphics, as well as writing a treatise articulating his ideas on art and the role of graphic arts and printmaking in relation to painting.
28 best images about Max Klinger on Pinterest Artworks, Nostalgia and
Among the most prolific and creative printmakers of his era, the German artist Max Klinger (1857-1920) revived printmaking in his native country at a time when it struggled to overcome industrial connotations.
Pin de Fralin Art Frame en Art We Like Actividades artísticas
58 results Max Klinger Clear all Abandoned, plate five from A Life, 1884 Max Klinger The Isle of the Dead, 1890 Max Klinger Night, from On Death Part I, 1888-89 Max Klinger Awakening, plate eight from A Love, 1887, signed and dated in 1903 Max Klinger The Castle by the Sea, 1887 Max Klinger Dead Mother, plate ten from On Death, Part II, 1889
Max Klinger, Untitled Illustrazione, Artisti, Grafici
To make matters worse, the philosopher died before Max Klinger or another distinguished sculptor could create a portrait bust of Nietzsche while alive. Unfortunately, neither Klinger nor Ernst Moritz Geyger could come to Weimar in time to make a death mask. Therefore, the task fell to the inexperienced painter Curt Stoeving.
Selfportrait Relief by Max Klinger Pixels
Overview Signatures, Inscriptions, and Markings Provenance Catalogue Raisonné Title: Self-portrait Artist: Max Klinger (German, Leipzig 1857-1920 Großjena) Date: 1918 Medium: Etching Dimensions: plate: 9 1/8 x 6 7/8 in. (23.2 x 17.5 cm); sheet: 11 1/2 x 9 in. (29.2 x 22.9 cm) Classification: Prints
Max Klinger Pinturas
Portraits of Max Klinger . Max Klinger by Carl Seffner, 1899 portrait by Emil Orlik, 1902 portrait by Nicola Perscheid portrait by Nicola Perscheid, 1902. Max Klinger, Beethoven, 1902, marble Paintings . Arbeit-Wohlstand-Schönheit, Detail Das Urteil des Paris. Landschaft an der Unstrut.
Max Klinger, a selection of prints
Max Klinger was born in Leipzig on 18 February. After attending the Burgerschule and the Realschule in Leipzig, in 1874 he enrolled at the Kunstschule in Karlsruhe, but a year later he moved to Berlin to work under Gussow.. Klinger did this small self-portrait in the period when he was attending art school in Karlsruhe to satisfy the wishes.
"Max Klinger, Kassandra" Picture art prints and posters by AKG Images
Max Klinger (18 February 1857 - 5 July 1920) was a German symbolist painter, sculptor, printmaker, and writer. Klinger was born in Leipzig and studied in Karlsruhe. An admirer of the etchings of Menzel and Goya, he shortly became a skilled and imaginative engraver in his own right. He began creating sculptures in the early 1880s.